The first question Susan Sanford Blades asked me in an e-mail interview about “Mask” was, Was this story informed at all by any of your personal experience (via family etc.) with the war? (“Mask,” which will appear in The Malahat Review this summer, concerns the repercussions of an English soldier’s facial injury in the First World War.) A perfectly appropriate question, perfectly innocent, about the story’s origin. When I read it, however, I reacted with an inner gasp of panic. Does the First World War actually belong to me?
It had never occurred to me to me that it didn’t, but in that moment, before I went on to answer Susan, it loomed large. Did it belong enough, that is, for me to use it in a story? Continue reading
A second set of sticky notes about books is nearly ready to post, as promised, but I’m going to interrupt that brief series with two recent happenings in my life.
First was the birth of another granddaughter! I visited the family in B.C. for ten days, to help as best I could in a busy household with a new baby and returned with warm memories of the lovely child (who bears the distinguished name Honor) and many memories of the other children as well. Choice sayings by the nearly-three-year-old, for example, moments of closeness initiated by a child who tends to self-containment, and so on. Things a grandparent gathers and chuckles over or ponders upon. Continue reading
H. and I took a short road trip through parts of the Dakotas, Wyoming, and Montana recently, in connection with my participation at the Billings (MT) Bookfest and the High Plains Fiction Awards on Oct. 25-6.
near Thermopolis, WY
We enjoyed it. We were impressed by how dramatically terrain can shift in a matter of hours (we covered more than 4000 kilometers) and how much of what we passed was interesting or wondrous in some way. Okay, there were a few patches — in Wyoming — almost too desolate-looking for words, but I was reading Annie Proulx’s Close Range: Wyoming Stories – a collection I highly recommend – and for that, the patches were perfectly necessary. For the connection between place and art, I mean, which is what this post is sort of about. Continue reading
Filed under Art, Books, Writing
Before I get completely submerged under the ripe tomatoes, ditto the grapes and the five-gallon pail of apples, plus the story I’m writing, I want to say something about last week.
I spent it at the Banff Centre in an intensive focus on short fiction led by Alexander MacLeod, literature professor and author of the Giller short-listed collection Light Lifting. I’ve never taken a writing retreat or week-long writing course, so I’m still feeling like a girl on her first trip to Disney. It’s a bit of a wonderful bubble one goes into, for sure. But the Disney analogy ends now: there’s nothing Minnie Mouse about carefully, brutally workshopping others’ writing (that is, learning to read), or being workshopped just as carefully and brutally. We all knew, of course, and tried to remember, this was where the benefit (a.k.a love) lay. Continue reading
Crazy busy month so far, this June, but wonderful too, the green and colors of spring fully arrived to our city at last. I never tire of our simple backyard and especially the way one of the branches from our elm tree stretches over our lot and blesses it with its draping foliage. Continue reading
I’m settling back home to a beautifully green city after the FictionKNITstas tour which took me to reading events in Calgary, Winnipeg, and Toronto last week. Fictionistas is an initiative by regional presses that annually celebrates new women’s writing in Canada. The KNIT was put into Fictionistas this year because each of us were paired with a knitter who read our book and knitted something in response to it. Continue reading
Filed under Books, Writing
May is short story month. I have no idea who decides matters like this, but why not? Short stories, please take a bow, and let me say a few things in your favor. — One often hears that people prefer reading novels, that short story collections don’t sell, that publishers therefore hesitate to take the risk. All this may be true. In a novel, we enter for the long, deep involvement and we feel the reward of hours invested. Each story in a collection, on the other hand, takes new effort to discover what’s going on and who’s in it. Perhaps it feels like a fragment rather than a whole, perhaps it feels unresolved. Still, a good short story can carry weight out of proportion to its size. Continue reading
Filed under Books, Writing