Happy in the age of memoir

We live, it’s often said, in the age of memoir. 

On one level, a statement like that is simply an assessment of what’s obvious in so many aspects of our culture. Certainly in the media — books, television, radio, internet — the weight of communication now often rests on the shoulders of personal narrative, on “reality” by way of experience. It’s a democratization of ideas and values supported by technology, especially in social media like Facebook or Twitter, where anyone can record the progress of their existence publicly, with as much inanity or imagination as they possess, or in places like the blogosphere, with its vast potential to reference and record one’s life. (And yes, here I am, too.) 

And just this past Sunday, an example of living in the age of memoir in our church: whereas baptismal candidates at one time marked their desire for baptism by memorizing and assenting to a catechism, however formally or informally that might be presented, the five young adults who will be baptized in our congregation this Easter Sunday shared their life stories thus far, at least in relation to faith. And as they did so, they revealed the differences that individuals have, and the inspiration and insight we have come to expect when we listen to people’s stories. 

At another level, it’s clear that there’s plenty of room for critique, and for criticism too, in the notion of “age of memoir.” Even in describing it, there’s the implication of narcissism, the contagion of the me-generation, the focus on the individual at the expense of community (which in Anabaptist circles, at least, is not quite how it’s supposed to be) lying not that far under the surface.

The now battered copy of Little Pilgrim's Progress my mother read to me, which I later also read to our children

 

I’m in no mood for complaint or criticism, however. Beginning with the children’s version of Pilgrim’s Progress which fixed itself indelibly on my mind in my earliest childhood — and was, as far as I’m concerned, a first taste of “life-writing” (a term I prefer to memoir, as it encompasses biography, confession, memoir, journals, letters, autobiography) because of its journey motif, even if not strictly life-writing itself — I’ve been steadily shaped by the expressed experiences of other people. And I still haven’t had enough, frankly.

Some of my interest is plain curiosity about others, but some is the quest for resonance with and wisdom from others which I need to live my own life. And I’m not sure that women in the particular categories I fit have been expressed nearly enough; I’m hungry for more of that too.

So if it’s the age of memoir, I’m saying that I don’t mind at all. I just want to find the right pieces of it, and think about it properly. Which brings me to a blog site I often visit, a kind of one-stop beginning for lessons, guides, discussions, and reviews in the area of memoir: 100 Memoirs. (I love the witty subtitle: “because 99 just isn’t enough.”) Shirley Hershey Showalter hosts/writes the site. She’s a former president (1996-2004) of Goshen (Ind.) College and wants to read 100 memoirs on the way to writing her own memoir of growing up Mennonite in America, 1948-1966. She picked the name for her blog from Heather Seller’s advice to new writers, as she puts it in her opening post, “to read 100 excellent examples of their genre before attempting to enter the ring with the best.” If you’re interested in memoir, whether as a reader or writer, it’s a great place to learn and stay connected.

Bolivian Mennonite rape victims: update

A recent comment from “Margaret” to an earlier post about reports of sexual assaults of Bolivian Mennonite women reminded me that I promised to provide updates to this story if I received them. What one hears is often anecdotal, and perhaps it will continue to be largely told, or puzzled over, that way — by putting what “Margaret” was told, for example, beside what a source involved with the Casa del Mariposa, a woman’s shelter being built for Bolivian Mennonite women, was told.

The latter account, forwarded me via a letter, said they hear many conflicting stories and “were not sure anymore what is true and what is not.” But, they continued, they do often hear that it [assaults] is still happening. They then recounted that the daughter of one of the imprisoned men, allegedly the ringleader of the group, sought them out to speak with them about their sister who had been gang raped and drugged. The “boys” confessed, but she is now “not herself” and in need of professional help, which the Casa del Mariposa workers are seeking to arrange for her at a mental health facility in Paraguay.

But, I was also forwarded a report written by Jack Heppner of Steinbach, who recently spent 8 weeks in Bolivia. He worked in Bolivia with the EMMC (Evangelical Mennonite Missions Conference) for three years in the mid-1970s and one year in 1991-92. Heppner was a public school teacher, also taught at Steinbach Bible College for some 15 years, then was conference pastor for the EMMC and editor of their monthly magazine, The Recorder. Upon his return from the visit to Bolivia, he wrote the following report of his observations and conversations relevant to this subject. It includes an analysis within the historical context of Mennonite life, answers to questions many of us at a distance have, and some helpful suggestions for steps forward.

Heppner said he considers it “an open document which I have offered back to the Mennonite church and its various agencies as one voice among many related to the tragedies unfolding in South America.” He has given me permission to post it here. Your comments are welcome. If you wish to dialogue with him individually, you can contact me (see info at About) and I will forward the request.

It’s a fairly lengthy document, but credible and helpful, and I highly recommend it to anyone who is interested in knowing more about this issue.
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The impulse to revise

Things were a little intense at our house the last week or so, since I was reading proofs, and not just any old proofs, but those of my own upcoming novel (This Hidden Thing). Proofs mean the work that’s been sitting in computer files and doublespaced on 81/2 X 11 sheets of paper, has landed on designed pages for a book. Proofs mean it’s close to ready for press. Just this last chance to check things over. A wee bit of room for changes, but not much. Not much at all. The cover design is close to finished too. It’s all rather exciting and scary.

On the page in its as-good-as-permanent form, the work can look strange and unfamiliar. In spite of all the times one’s gone through the manuscript, one suddenly sees what there’s probably too much of and maybe too little of as well. I’m comforted, however, in reading the letters of Flannery O’Connor, to find that a writer as good as she was had experiences along the same line. In a letter Oct. 6, 1959 she wrote a friend:

The proofs [of The Violent Bear It Away] came… and seeing the thing in print very nearly made me sick. It all seemed awful to me. There seemed too much to correct to make correcting anything feasible. I did what I could or could stand to and sent them back…

Well, I’m not trying to scare anyone off my book by confessing and quoting that — I wouldn’t be a writer if I didn’t want readers, and I hope it’s not a surprise to hear that even at this stage of a book anxieties and vulnerabilities of all kinds manifest themselves. This is probably true for anyone who has to let go of what they’ve done, into the public. But O’Connor also said she thought the first and last sentence of the book were “mighty fine sentences” and that she had cheered herself “meditating on them.” After awhile I relaxed with the proofing process too and decided I would be okay with what was there — except for those changes I’ve pleaded the forbearance of my editor and the publishing team to make, of course! 

But there’s just something unfailing about the impulse to revise, and to revise again. I had to chuckle over the note Flannery O’Connor sent editor Catharine Carver:

I’ve rewritten the last pages so I’ll enclose them as I think they’re an improvement. When the grim reaper comes to get me, he’ll have to give me a few extra hours to revise my last words. No end to this.

I wouldn’t mind some warning from the Reaper too, for the same reason!

Oh, and this revision after the post went up (it’s the great thing about blogging): please forgive the shameless self-promotion!

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NOTE: The launch date of This Hidden Thing (CMU Press) has been set for May 19 at McNally’s in Winnipeg.