October

I don’t know when I’ve felt the particular October-ness of October as intensely as this year. This tenth month of our Gregorian calendar sometimes behaves like the eighth, which it was in the Roman calendar (octo), sporting all the charm of late summer instead of early winter. And this year too. The geraniums in the barrel planter and the clematis on the garage wall are still blooming merrily, and though the rest of the flower beds are finished, I cut marigolds for a table centerpiece yesterday. Long stretches of days this month have been warm, even hot.

At the same time, there’s the sweet melancholy of fall in it, the trees mostly bare and the colours monochrome, geese overhead, huge bins full of pumpkins at the Superstore, dark encroaching earlier every day.

This October has been especially blessedly poised between summer and winter, so well fulfilling its role as consummate autumn month (for this part of the globe, I mean), a time in which we live with a keen awareness of what has been and what’s to come. As if both memory and wisdom have reached a near state of perfection, though of course nothing’s perfect about it, unless it’s compromise of the seasons.

And in October, or so it seemed to us this year, every organization or institution – be it cultural or church – puts on a conference, fund-raising banquet, or opens its “season.” On the heels of Thanksgiving with its praises and feasting, there’s been the riches of a Mennonite history conference, and lectures on McLuhan, and the first of another “Take and Read” series, and the Manitoba Theatre Centre’s “One Flew Over the Cuckoo’s Nest,” and then for good measure, “Lenin’s Embalmers” at the Jewish Theatre, and CMU’s annual J.J. Thiessen lectures, this year on the spiritual power of desert and wilderness (or Winnipeg winters, as one participant noted), and so it will go into the last week of the month as well. I hope this recitation doesn’t sound like trying to impress with busyness. The emphasis is “riches.” And there’s plenty we haven’t attended as well. October, apparently, is congenial to planners, and thus it gets stuffed, like the Thanksgiving turkey, which makes it nourishing, and interesting too.

October seems a month with post-menopausal zest (about which I know a little myself), and so we follow the weather, and when it’s warm, we’re outside, walking or whatever, and as far as our energies take us, we’re attending things. And if it all feels intense, sometimes overwhelming, it’s because one knows what end of the calendar year we’re on, the end and not the beginning, trees revealing their bones and everything wrinkling and fading around us.

As if to remind us of the poles, two of our grandchildren have birthdays in October. We sent our packages and as much love as we can convey in the mail to the world’s liveliest and best 4 and 9-year-olds, but closer to home, we’re having to respond to the needs of my mother, 88, frail, barely mobile, and slated for surgery next week.

The month will end with Halloween, and whether you go for the ghoulish or the respectful aspect of remembering the dead, it too is a sign of turning. But, for one more week, it’s still October. Last night the moon was full, almost sun-bright, and we left the bedroom curtains open to the beautiful light.

A hunger for beauty

Manitoba autumn

Manitoba is not the Autumn Glory centre of the world, I’ll grant you that. It has to do with our particular climate, the kinds of trees that grow here, and so on. The “East” is definitely the place to be for spectacular oranges and reds in fall.

Still… we do have autumn and we do have much to enjoy and celebrate, and this year the season has been especially warm and lovely. Last Tuesday, since he had a day free between projects, and since I wanted to do some research/observation for the writing I’m working on, H. and I set off for a drive into the country, down to the Pembina Hills area, as far south and west as Manitou. The colours in the trees and also ditches were a treat for our eyes and spirits.

Even the ditches put on a show!

After lunch at the Kopper Kettle in Morden, a favourite local eatery it seems, we continued to Neubergthal, a village that is also a Canada heritage site because of the number of Mennonite house-barn structures it still contains. Here we viewed Himmelbleiw, an exhibition of Manitoba Mennonite heritage furniture and floor patterns. (Himmelbleiw is Low German for “heavenly blue, a colour used to paint walls and decorate furniture that expresses joy and hope.” – Catalogue)

We enjoyed seeing the cupboards, tables, cradles, clocks, toys, and floor patterns on display in the Friesen Housebarn Interpretative Centre. Nearly every item would have been useful in some way, but aesthetic appeal and satisfaction — through skill of construction, decorative detail, or colour — was added to functionality  as well. I was especially taken by the floor patterns. From the late 1800s to the mid 1900s many Mennonite women painted the floors of their homes. (Note the samples in the catalogue page below.)

The Mennonites lived simply. Ostentation was not a community value. Nevertheless, they took opportunities to express artistry within the parameters of their lives.

It all made me think of Steve Bell’s yearning rendition of the Jim Croegaert song, “Why do we hunger for beauty?” It’s a rhetorical question. We love to look at “the leaves,” here today and gone tomorrow, and we paint chairs and floors, which will be worn by sitting and walking. We do hunger for beauty, so we seek it and create it.

Thin Air

Last week, which seems a long while ago already, was Thin Air week in Winnipeg. Thin Air is the city’s annual writers festival. I was honored to have a small part in the event, with a campus reading of This Hidden Thing, but mostly the week was about listening to and engaging with a great variety of other writers from across the country. As the event’s subtitle says, “it’s for readers.”

I took in four of the evening events, and two of the afternoon book chats. Here’s a few highlights.

From the festival opener, a line by Ismaila Alfa, traffic reporter for CBC Radio and poet/musician:

Long live the figures of speech before and after me.

Long live indeed, figures of speech!

Since I'm not much of a coffee drinker, my sleek Thin Air mug has top spot as pens and pencils holder.

The festival featured many wonderful writers and their books, and I hate to single some out, but… I enjoyed hearing Richard B. Wright (perhaps best known for his Clara Callan), whose new book is Mr. Shakespeare’s Bastard. Wright had some interesting things to say about how he works, including the comment that reading poetry unblocks him when he’s stuck, reinvigorates him. And, finding myself once again involved in the terror and joy of a new novel project, I certainly  resonated with what Wright said about that:

You’re sitting in a room talking to yourself — it’s almost a form of madness… You hope what you’re indulging in will be liked and indulged by others… [But] I seem to need another life. A writer needs this other imaginary world.

And the books I’d like to read because of the festival? Wright’s, yes, and also David Bergen’s latest, The Matter with Morris, which landed on the Giller prize long list as the week opened. Opening reviews have praised it and the passage Bergen read from it intrigued me. (Another festival author and Winnipegger who made the long list is Joan Thomas, but I’ve already read her Curiosity, so I’m up at least one!) I’m also looking forward to Sandra Birdsell’s new book, Waiting for Joe.

Every time I attend readings I realize again what a pleasure it is to listen to ideas and words crafted with care. Poetry, especially, shines when read aloud; the genre almost requires an oral presentation. Novels are trickier to judge from their performance, I think, because they turn and deepen on extended development. But the fragments we hear are an invitation, and we honor authors when we take them up on it.