A bow to the past in Kansas

In the spirit of the rather fitful reporting to which this blog has devolved, I’m here this Monday afternoon to say that I was away four days in Kansas, hanging out with historians and archivists. (I believe I’ve mentioned before that these are some of my favorite people.) I’m on the Historical Commission of the Mennonite Brethren (MB) denomination, which meets once a year, rotating between the four archival centers in Kansas, California, B.C., and Manitoba. We hear reports from the centers, undertake various publishing projects (including both scholarly and popular history–last year’s was the fascinating mystery-biography, It Happened in Moscow by Maureen Klassen, which has sold astonishingly well), sponsor research grants and an archival internship, and occasionally plan symposiums, all to foster the preservation of, study of, and reflection on our history. Continue reading

The strong memory of places

House on Kildonan Drive, Jane's Walk 2014

House on Kildonan Drive, Jane’s Walk 2014

H. and I participated in one of Winnipeg’s 24 Jane’s Walks* this weekend: the one along Kildonan Drive North.  It was a chilly, rather overcast day, but a large group of us gathered to wander along a river street associated with North Kildonan’s rich or famous—names familiar to the Mennonite settlement here like Henry Redekop, A.A. DeFehr, George Janzen, Henry Krahn, and  those connected to pioneering and municipal leadership like J.M. Morton and Angus Matheson McKay. Continue reading

Six more books and notes

DownloadedFileThis weekend in The Globe and Mail, Ian Brown wrote, glowingly, “Why I read a six-volume diary by a Norwegian novelist,” on his experience of the first volumes (the article title is a bit of a misnomer, as not all six volumes are available in English yet) of Karl Ove Kanusgaard’s My Struggle. I recently finished the first volume of Knausgaard and have to agree, it’s mesmerizing, this attempt to speak of everything, to recall the mundane, the truth of himself and others, memoir-like, but without the narrative arc of fiction or memoir. I’m glad I read the first 441 pages of the project, to see what the fuss was about, but presently am not inclined to continue. To me, it invites a kind of voyeurism I’m not willing to sustain. Continue reading