Cover love

Authors don’t always love the covers their books are put behind, for ultimately the cover is the publisher’s decision. But it’s easy for me to say I like the one given This Hidden Thing. Thanks to designer Karen Allen at CMU Press for that, but huge thanks as well to Agatha Doerksen, who granted permission to use a detail from her painting, “Seasoned Offerings” (1998).

I would like you to see the entire painting! And here it is, below, sans its plain wood frame, and here too, something about the painting via the artist’s statement about work she was doing in that period: Continue reading

Books “near final” and finished

Yesterday I completed what I promised to do when I applied for and got a Manitoba Arts Council grant last fall – and only one day beyond the five months (December through April) I’d projected! What I promised was a “near final draft” of [tentative name], a novel in which [one sentence description]. It exists now, a manuscript of some 114,000 words, and needs a rest. As do I, to take some distance so I can see what “final” may involve, and to gather energy for the steps beyond that, which include others deciding what I’ve got and if it’s any good. In the meanwhile, I’m deeply grateful to MAC for the financial support and affirmation, and for the powerful motivation that external expectation provides! Continue reading

A blessing with blood

When Gregory Orr was twelve years old, he killed his younger brother Peter in a hunting accident. He screamed, then he cried, but he got very little help with his grief and guilt, not then, not later. His identity and his brother’s seemed eventually to merge “into a single tangle,” the two of them “inextricable” in his thoughts.

Orr tells this story in The Blessing: A Memoir, which I mentioned in my previous post. (He was speaker at the Mennonite Writer/s VI conference in Harrisonburg, Virginia.) The difficulties and shame – the mark of Cain, as he saw it – that seized his life because of this event were compounded by his mother’s unexpected death when he was fourteen and his father, who was charming but unreliable and addicted to amphetamines.

Orr sought various ways through his despair, including involvement in the civil rights movement, with its potential martyrdom. This brought him no relief but nearly to the end of himself instead, and barely holding on. Continue reading