Eating at IKEA and Eating Like a Mennonite

I stopped at IKEA for a few things recently and since it was close to noon, had lunch in their dining room. As usual, I had the Swedish-meatballs-mashed-potatoes-vegetables-and-dab-of- lingonberries plate and a triangle of DAIM cake for dessert.

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As usual, I say, because this is the very thing Helmut and I ate on our numerous trips to IKEA after re-locating to B.C., when we needed bookshelves, and then more bookshelves, and end tables, and so on and on. Although we brought some furniture along, we had left a good deal behind as well, and now we re-furnished as if we were students starting out — as cheaply and easily as possible! 

So I have good memories of those meals and if I happen to eat at IKEA now, I find myself making the same selection as before. It’s tasty enough, though IKEA-mass-produced, and I’m not sure what makes the meatballs Swedish, but it’s a meal of comfort for me on account of remembering those earlier times.

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A few days later, I attended the launch in Abbotsford of Marlene Epp’s new book, Eating Like a Mennonite: Food and Community across Borders. Marlene Epp is professor emeritus of history at Conrad Grebel University in Waterloo, Ont. and well-known for her book, Women without Men: Mennonite Refugees of the Second World War (2000). She brings the same careful analysis, research, and skill with anecdotes to the topic of food: its role in identity, how what it “is” shifts through migration and encounters with other foodways (“hybridity”), how recipes are passed on, “the complex terrain of food and gender,” food trauma, and the place of food in religious practice. 

These topics play out in other groups as well, of course, but Epp’s focus is Mennonites (world-wide) and because I happen to be Mennonite, her book has been of great interest to me. As I read I couldn’t help inserting my experiences with food into her analysis. When she speaks of “the symbolic capacity of food to contain the past,” true for persons as well as communities, there was the recent repeat selection of a memory-laden meal at IKEA as an example. In fact, it is often food — his favourites or my making of Paraguayan chipa, which was his “specialty” and job — that evokes bittersweet recollections of him.

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Epp writes a fascinating chapter on cookbooks. She also addresses presumptions about Mennonite women as good cooks, as seen in the Mennonite Girls Can Cook blog phenomenon, for example. It was the MGCC phenomenon that prompted some writer friends of mine to propose, some years ago, an anthology around the idea that Mennonite Girls Can Write (about Food). Although the project didn’t happen, it inspired me to look at my life through the lens of food, written into something I called “Notes toward an autobiography,” though told in the third person, which landed in Return Stroke: essays & memoir. In that piece I had to start with the truth that though I admired and wished to emulate my mother, she was not a particularly good cook. (It occurs to me that because of that, I tried harder, even though I too am more dutiful than fond when it comes to meal preparation.) 

When I read a section about my experience with cookbooks at a launch of my book, I was surprised how much laughter it elicited. But it’s true, there’s often great seriousness about food, and there’s trauma in histories or presence of hunger, but looking back, laughter as well.

…She began with the cookbooks of her own tradition: The Mennonite Treasury of Recipes and The Mennonite Community Cookbook. She put eager comments in the margins when something turned out well: Aug.24/75 With our own apples! Yummy, and my first platz! Later she added, Also nice with rhubarb.

In time it annoyed her that most of the women who’d submitted the recipes identified themselves through their husbands — they were Mrs Jake Krahns, for instance, or Mrs Sam Detweilers — but well before that she was frustrated by their all-knowing vagueness. They left out baking times and other vital information. They said things like “enough flour for a firm dough.” What was a firm dough compared to a soft one?

Betty Crocker saved her. In Betty Crocker’s cookbook, no one cared about Mr Crocker’s name, or whether Betty was even married, or if she went to church. The language was English, the ingredients available in any regular store. The amounts were precise. Every single step was explained. The recipes succeeded. With Betty as her guide, she learned to make cream puffs, tall elegant cakes, pudding from scratch, strogonoff, and turkey pie. She hung on to that cookbook long after its cover had torn off and its pages were ruined with grease and gobs of batter. Long after her dependency on Betty Crocker had ended, she loved Betty’s book best.

Marlene Epp’s book would make a great selection for a book club, though the discussion of all the angles she pursues and their significant considerations around food might well devolve into an evening of personal stories (as has happened here in this post) and likely a fair bit of laughter. At any rate, I enjoyed Marlene’s book and recommend it.

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But last of all this, who knew that watermelons were such a “marker” of food identity for Mennonites? And that there are various ways to cut them — neatly or for slurp effect? When we lived in Paraguay, where watermelons were plentiful in season, our young sons tackled theirs outside and with spoons! 

Two book recommends, and comments about my own

Facebook friend Richard, whose reading taste I trust, said he loved This is Happiness by Irish writer Niall Williams, and then local friend Elsie said the same thing, and now I’ve read it and completely agree with them. It’s funny and sad and contains wonderful language and metaphors that aren’t just illuminating in a descriptive way but often carry wisdom too.

51DyA72JX3L._SY264_BO1,204,203,200_QL40_ML2_This is Happiness tells the story of a man looking back on a time when he was young, having left the priesthood after a year of study and gone to stay with his grandparents in Faha, which is about as far away and obscure in Ireland as it’s possible to be. And, it’s stopped raining. “It had stopped raining” is the entire Chapter One! During the unusual sunshine, electricity is being installed in Faha, and Christy comes to work on the installation and boards at the old people’s house. He’s also come to make things right with someone. Williams treats his characters and this small out-of-the-way community with such generous insight, it’s inspiring.

It was my brother Al, I believe, who recommended The Reluctant Fundamentalist by Pakistani writer Mohsin Hamid some years ago. On that account, and also because of Eleanor Wachtel’s interview with him at Writers and Company. I was drawn to Hamid’s new book, The Last White Man. It’s a short book that felt like a parable.

4E0C9C92-37DD-48CF-A6F3-C6B3B9409F3FThe first sentence: “One morning Anders, a white man, woke up to find he had turned a deep and undeniable brown.” Ah, shades of Kafka’s opening to Metamorphosis then. The shock of this to Anders’ sense of identity is huge: is he the same person, or how is he changed? Or is he changed by how others see him? If the story feels ominous at first, there’s comfort and tenderness too, as others begin to change. The prose style has a rhythmic repetitiveness within the sentences that serves to take the reader deeper into the under-the-skin psychology of the story. As suggested by the word parable above, it has one thinking afterwards about what it all means. 

I’m not implying a triad with these two authors, but since my theme today is books, please allow a few comments about my own. It’s some five months now since Return Stroke: essays & memoir launched, and I still find myself in the surprise this particular coming-together was, and deeply grateful to CMU Press, headed by Sue Sorensen, for doing the book. And I’m grateful for readers, as always, and for some lovely reviews so far (please see the Return Stroke page on the weblog).

I was especially touched by Kerry Clare saying: “What I love so much about Dueck’s writing and her thinking is that nothing is fixed, and she is eternally curious, taking notes and learning, about the past and the present, much of her work concerned with memory and history, but in such a vital, living way, not as an affirmation but a process of discovery.” What touched me here was not the compliment as much as her articulating exactly what I’ve felt my personal writing is, or, I should say, what I’ve wanted it to be — a process of discovery. Without that as aim, there would be no point, for my history doesn’t lend itself to the autobiographical endeavour of some great achievement. So, thanks be for such encouragement!

For those who may be interested to buy this book or any of my other titles (pictured on the right on the weblog page; a click on the title will take you there), for yourself or a gift, the two Turnstone titles are available through Amazon. CMU Press is so far resisting the use of that mega-corporation, and I respect that decision. Their two, though, indeed all, are in the distribution system and can be ordered from your local bookstore, or directly from the publisher. I also realize that buying books isn’t an option for everyone, so may I suggest asking your library to purchase the one you might want to read? — Okay, enough of this. I don’t do this often, but I did want to remind about it, and now I’ve done so! Thanks for your interest and support!

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Small Things Like These

In 2013, I had the happy privilege of a week at The Banff Centre in a short story course with Alexander MacLeod, whose collection Light Lifting had been shortlisted for the 2010 Giller Prize. I applied for the class specifically because he was the instructor and was thrilled to be accepted.

Besides our sessions as a group of eight, we met with MacLeod individually. I recall asking him in my turn about how to carry what I might call the “burden” of religion in my stories, since they are often set in the Mennonite history and environment I know best. This felt complicated, and I worried, in addition, that they would be too alien to publishers perhaps, the Church being so pervasive, demanding to be critiqued or defended but most of all explained. The gist of the answer, in terms of what he may have said and what I’ve figured out myself, was that you simply let the story swim in its own ocean. Let it unfold, that is, with whatever the story requires, which probably isn’t a history lesson on Menno Simons or doctrines or the schism that accounts for the group to which the protagonist belongs or may be fleeing.

contentHe also gave me a good piece of advice, and that was to read Irish writers, for if there’s a place that’s religion-soaked, it’s theirs. So I’ve watched for them since, and read quite a few. Which brings me to Claire Keegan, whom he praised and whose work I’ve followed, and her newest book, Small Things Like These. It’s a short book, only 114 pages, but perfectly realized in my opinion, just oh so good! I felt I’d held my breath to the end, and then, exhaling, I began again from the beginning. I think that the main character, Bill Furlong, a coal merchant, a tender man, both brave and probably foolish, will stay with me a long time. The story is about who he is and about something he discovers when delivering coal to the local convent, which runs one of those Magdalen laundries for so-called “fallen women,” such as featured in the movie Philomena. This isn’t much of a review, I know, but it’s a definite recommendation. I also recommend Eleanor Wachtel’s conversation with Keegan at Writers and Company, where they talk about the writing of short stories (their difference from novels), and about this book and some of Keegan’s earlier work.

Incidentally, I’ve begun Alexander MacLeod’s newest collection, Animal People. Like his father Alistair, he’s not a prolific writer, but he’s worth waiting for.

Also incidentally, a story of mine, Her Own Self, has just been posted at the online Journal of Mennonite Writing. It’s longish, though not as longish as Keegan’s, and I would be honoured if you put your feet up with a cuppa something at your side and give it a read!