What she left

“What will I leave of myself?” asked nurse and poet Christine Wiebe (1954-2000) in her journal. The question found its way into a limited edition book, “How to Stay Alive,” produced for family and friends, and now into excerpts carried in the latest issue of the online CMW Journal. I hear it, honest and poignant, as it weaves through the 79 online pages of the piece, and through her poems, and as I read her mother Katie Funk Wiebe’s short biography of her daughter, then a short analysis of Christine’s work by Ellen Kroeker (and the poem, “Her Spirit, a Small Bird with Color”), and the reflections of her sister Joanna and Jeff Gundy Christine, and… well the whole issue, in fact.

Christine faced many health challenges, including lupus and heart attacks and eventually the complete collapse of her body and death. She was interested in healing — of others, of herself. She was both Catholic and Mennonite. And most of all she wanted to be a writer. And she struggled — in the way one’s thoughts turn round and round in journal writing — with those dreams (and others) and what might not be accomplished.

On the evidence of these articles, she left more than she knew perhaps, for her mother, sisters, friends, colleagues, clients, especially in terms of personal interaction. But in addition, and here I speak as one of those now reading these gathered words by and about her, these frank and lovely, almost heartbreaking words, I want to answer her, you left us all this: a gift of what you saw and strove for and accepted.

I close with one whimsical foretaste of Christine’s art and poetry from her journal (used with permission):

Everyone has an angel.
Angels have friends.
Imagine all the angels around
your bed
before you sleep.

From Mennonite “madness” to Marshall McLuhan

The past days have been unusually stimulating for me. The main reason is the annual conference of the Chair in Mennonite Studies at the University of Winnipeg, this year on “Mennonites, Melancholy and Mental Health.” I attended much of it, from Thursday evening to this afternoon, hearing papers on a whole variety of topics connected to mental health – from the history of attitudes, to the history of institutions (like Bethania in Russia, Bethesda in Ontario, Mennonite Youth Farm in Saskatchewan), to personal and family histories, and a lot in between. Continue reading

City of Tranquil Light

I recently read City of Tranquil Light by Bo Caldwell (Henry Holt and Co.). In this novel, the elderly widower Will Kiehn is looking back over his life. As a young man, he felt called to go to China as a missionary. There, he met and married fellow recruit Katherine Friesen. Will preached, Katherine did medical work, and together they experienced the formation of a sizeable Christian church in Kuang P’ing Ch’eng (meaning, City of Tranquil Light) and its outlying regions. They also experienced personal struggles and the trials of their adopted country: famine in 1918-22, civil war in 1925-28, the disintegration of an ancient civilization under imperial rule and China’s massive shift to communism.

Interspersed with Will’s backward look is Katherine’s voice, via her diary entries. The use of alternating voices – one with its perspective in the moment, the other through the gaze of memory – makes the story a kind of conversation as well as a telling. It’s a format that adds momentum to a story that feels — in spite of dramatic elements — quiet, gentle, and measured. (As one might expect from an older person’s recollections). It also deepens the thematic resonance of the book.

I liked City of Tranquil Light a lot. And what I like about talking about it here at my blog is that, unlike a more formal review, say for a newspaper or magazine, I can meander – or jump around – as I will. That at least, is how I understand the conventions of blogging. They allow a more personal, if partial, response – one that may, in effect, privilege the experience of reading over the book itself. (This doesn’t mean professionalism, fairness, and reviewing courtesies don’t apply.)

With that said, let me step back a little into my own context. City of Tranquil Light is a missionary story, and I grew up with missionary stories – in books and Sunday school papers and magazines, from the pulpit, in conversations all around me. They were stories of sacrifice, difficulty, and gut-wrenching inspiration. Missionaries were the heroes of an evangelical Protestant childhood; they were the Supermen and Superwomen of our world, and their ocean-crossing the equivalent of the costume change in the telephone booth. I don’t mean this cynically; it’s how things appeared to us. Continue reading