Great news that writer Mavis Gallant’s private journals will be edited and published, though not so great that we may have to wait until 2014 to read them! A teaser set of excerpts from 1952 appears in the July 9 issue of The New Yorker, where Gallant also published more than 100 stories over her lifetime. I’ve not yet seen the issue (the copy someone bought at my request from a bookstore across town yesterday turned out to be the July 2 issue!), but teaser bits from that teaser set have appeared here and there on Facebook statuses and in blog posts (such as this lovely one by Janice Gray over at Richard Gilbert’s blog Narrative), all enough to make it clear how full of personality, wonderful writing, and compelling detail the published journals will be. A 1959 treasure quoted by editor Steven Barclay is an example. Continue reading
Category Archives: Writing
Profound refreshment from another writer
I’ve attended three conferences around writing in less than two months, each one quite different and each one valuable, but now I’m definitely conferenced out! The most recent one, the annual meeting of The Writers’ Union of Canada (TWUC) in Vancouver last week, was full of practical matters: writing and publishing as enterprise, if you like. It’s a union, after all, so not surprising that advocacy and worker rights, protection, compensation, and assistance would be high on the agenda, and not surprising either that there would be sessions loaded with help on navigating the new world of publishing (which I posted about at my author blog), or that there would be a great deal of emotion in the room at times, or that one might leave energized or overwhelmed or tired, but more likely all three simultaneously. And especially tired, perhaps, if one was a rookie at the annual meeting, as I was, and finding my way into a new community. Continue reading
Quick tour to the land of digital literature
At the Symposium on Manitoba Writing held in Winnipeg last week, I signed up for a 3-hour “Reading digital literature” workshop, which wasn’t strictly Manitoban but a bonus opportunity because of the presence of Manuel Portela of Portugal, a scholar of the field. (He did a paper at the conference on “typographic notation” in the poetry of Dennis Cooley.) Having signed up, I almost regretted it, because the abstract was full of words like modularity, permutational, kenetic, audiotextuality, materiality, hyperlinks, nodes, and more. But once in the room, I found Mr. Portela not nearly as imposing as his words and his presentation accessible and informative. Continue reading