Layers

Last week we spent a couple of days in the Waterloo area with my brother, street photographer Al Doerksen, and sister-in-law, artist Agatha Doerksen. First up was the opening of Agatha’s stunning new show, “Off the Wall,” at the Red Brick Cafe in Guelph. The first pieces in this series were inspired by layers of peeling posters in downtown Toronto. Agatha gathers material life wherever she finds it–lists, wallpaper, bits of text, buttons, old photos, and much more–which she then maps and collages in new arrangements. These “remnants and discards” of daily life are variously re-layered, re-configured, revealed, perhaps covered again, perhaps painted upon, but thus preserved. The result is sometimes whimsical but more often–to my view–boldly provocative, and deep. Here’s “A Single Leaf,” one of my favourites in the show. If you live in the Guelph area, do stop by to view the exhibit, or see more of her work at Agatha Fast on Facebook.13645115_830262967108427_4770586795850250156_n

 

The opening itself had a layer of unexpected drama when one of the largest pieces was stolen the day before the opening. CBC told the story.

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The Danuta Gleed Award

It was a privilege to serve as a juror, along with Shauna Singh Baldwin and Barry Dempster, for the Danuta Gleed Literary Award for best first collection of short fiction in the English language, awarded via The Writers Union of Canada (TWUC). Barry noted that we may be the only three people in Canada who read all twenty-five of the first collections submitted for the award. A unique and fortunate book club, indeed, for there is a great deal of fine short fiction being written in this country.

Here follows the press release from TWUC announcing the short list and more details about the prize, as well as the shortlisted books: Continue reading →

Besides grape jelly

IMG_5272While the grape jelly lids pop and seal in the kitchen, a quick note from my desk to say what I’m up to on the writing front, as promised in the previous post. I’ve got that novel that I seem to have been working on forever more or less done (again) and cooling in a corner, but in the meanwhile have been venturing into some creative non-fiction. I’m pleased that one essay-length foray into CNF has landed on the shortlist of The Quarterly Review‘s Edna Staebler Personal Essay Contest, and will be published in that most excellent journal some time next year. It’s called “Return Stroke” and weaves together the father-in-law I never knew, lightning (he was struck by it and his mother killed), and the making of biography. Continue reading →