I’ve not read much in the genre of writers writing about their reading, so I may have had some misconceptions about what Rebecca Mead’s My Life in Middlemarch was going to offer me. At any rate, the expectations I had were almost entirely disappointed.
My reading of Middlemarch, I hasten to say, was no disappointment; I was quite taken with that sprawl of a novel, its plot(s), its portrait of 1830s English life, its pathos and humor, the authorial voice. I supposed, that in then turning to Mead, my reading would be enhanced–deepened–the way a very incisive review or the ideal book club can enhance the experience of reading by way of insight into themes and situations, and solid arguments on this matter or that. And all this with a memoirist twist, as promised in the cover copy–the voice of someone who’s breathed in the air of the text for a long time and is in plump literary health on account of it. Continue reading