The first question Susan Sanford Blades asked me in an e-mail interview about “Mask” was, Was this story informed at all by any of your personal experience (via family etc.) with the war? (“Mask,” which will appear in The Malahat Review this summer, concerns the repercussions of an English soldier’s facial injury in the First World War.) A perfectly appropriate question, perfectly innocent, about the story’s origin. When I read it, however, I reacted with an inner gasp of panic. Does the First World War actually belong to me?
It had never occurred to me to me that it didn’t, but in that moment, before I went on to answer Susan, it loomed large. Did it belong enough, that is, for me to use it in a story? Continue reading