What I did today (Jan. 20)

The sun rose as usual this Monday morning, with a gentle coral hue that turned briefly pinker and then resolved into the yellowish cast of regular sunshine. Not a regular Monday morning, though, I remembered as soon as I woke. I couldn’t help it: my brain was like an alarm clock, signalling that the inauguration would soon be underway in Washington D.C. I’d already decided that, like Michelle Obama, I would not attend, though of course I had no invitation to do so in person, only the voracious maw of television inviting me in. 

It wasn’t that hard, actually, to resist the watching. I find it deeply unpleasant to see or hear the new president; I won’t bother rehearsing the reasons. But not thinking about it at all, well, that was harder. But I had my coffee, did my morning reading, ate breakfast, began to tackle today’s tasks.

High on the list was the need to dust. I’m very happy in my Tsawwassen apartment but honestly, I’ve never lived in a place (besides the Chaco of Paraguay in the season of wind) that gets dusty as quickly as this one, dust particles rising from the open rail cars of coal coming to the nearby port, I’ve been told, and of course when it’s beautifully sunny like today, the dust layers are even more obvious. So I did that, and I vacuumed too, and also, I attended a Livestream event with Rebecca Solnit and some guests, deliberately scheduled for this day. It scarcely referenced what was happening (besides the comment that the empty Washington Mall seemed a metaphor), but offered analysis and ideas about moving forward. She and her guests talked about resistance with tenderness, choosing a world of abundance rather than scarcity, spending time with art and music. One said, “Despair is a room we move through,” and another, in the words of the spiritual, “Ain’t gonna let nobody steal my joy.” All this and more. It was encouraging. (It can be viewed on YouTube as “The Way We Get Through This is Together.”)

While listening, I was working on a jigsaw puzzle. Puzzling is when I listen to podcasts or the like. One favourite is the CBC podcast “Front Burner,” a daily short (less than half an hour) conversation with an expert about some issue in the news. A podcast I’ve recently discovered is “What Matters Most” with host John Martens. There are more than 50 episodes to select from, including fascinating matters such as “Reading gender in Revelation” and “Leonard Cohen and the Apostle Paul.” When I walk, my podcast of choice is “This American Life,” stories that fill up about an hour, the perfect length for a walk. 

It’s still January, so perhaps I can mention that while I don’t generally make resolutions, I did determine to read Melville’s Moby-Dick this year, and I’m doing it, two chapters a day, and quite enjoying it. Other books I’ve read recently and warmly recommend are Orbital by Samantha Harvey, Clara Reads Proust by Stephane Carlier, and Clear by Carlys Davies. And I’m through Part V of Jon Fosse’s 7-part Septology, which might not be to everyone’s taste, but which I find strangely mesmerizing and compelling.

And since it’s still January, I wish you all a very happy New Year.

How did YOU spend this (historically significant) Monday?

Re-reading “Black Like Me”

I read John Howard Griffin’s Black Like Me, published in 1961, as a teenager. It affected me deeply. The details have disappeared, but the memory of its impact remains. We lived in a homogeneously white and rural community in Canada, but Griffin’s experience, albeit brief, as a white man who changed his colour via medicine and stain and thus discovered what it was like to be black in the segregated American South worked to inform and strengthen what I believed about equality and justice. In those years, as the Civil Rights movement took hold, it all seemed closer than it was geographically.

download (2)I recently re-read the book, in a 50th anniversary edition that includes additional material about Griffin’s life and work. Once more, I found it a powerful story. Over 50 years some language around racism has changed, and I suppose today he would probably be roundly criticized for “appropriation.” Certainly it’s a question to me how much it would be possible to “incarnate” another’s experience, but I have no doubt that the switch of pigment alone occasioned profound and authentic observations, and in this way, Griffin became an important in-between figure at the time. In fact, the message of the book could be summed as: I’m the same person except for the colour of my skin, yet everything about me now has become of lesser worth.

The book sold widely and Griffin had many opportunities to speak and work for better relations and understanding. Eventually he recognized that it was time for his voice to make way for Blacks, they needed to be heard speaking for themselves.

I had not remembered, if I ever knew, that Griffin was blind for a decade, only to have his sight return almost miraculously, or that he was connected with Thomas Merton and also wrote on spirituality, or that he served in the French Resistance. He mentions the latter somewhat in passing, comparing the fear he felt while black and interacting with whites, like “the nagging, focusless terror we felt in Europe when Hitler began his marches, the terror of talking with Jews (and our deep shame of it.)” It is this deep shame, expressed so honestly while experiencing “Black” as a white man, that struck me in the re-reading. When Griffin first looked at his transformed self after his regimen of medication, shaving, and stain, he was appalled. “I could feel no companionship with this new person. I did not like the way he looked.” This book is much more than a report; it’s a melancholic and disturbing and personal witness.

That my first reading noticed the plight of the Negro, as s/he was then called, and my re-reading the inner shaking and shame of the author, reminds me not only of the insidiousness of racism but how much growth is required within me, and how slowly awareness happens. Not so many years after reading Black Like Me for the first time, I was teaching Sunday School in a Mennonite church. I think it was a kindergarten age class. I showed a picture supplied by the curriculum of Jesus with children of different races. One boy said, “I don’t like the black boy. My dad says if you touch a black person you turn black.” I can’t recall how I responded but I was horrified at what the boy was being taught. Now it occurs to me that I paid no attention to the fact that the Jesus of those pictures was light-haired and blue-eyed, his skin white, instead of the brown-skinned and black-haired Mediterranean Jew he would have been.

 

 

 

In praise of “Writers & Co.” and Eleanor Wachtel

Today, a post in praise of long-time CBC program “Writers and Company” and its host Eleanor Wachtel, a woman I have come to trust without reservation for her wide-ranging eye on the world’s best literature and her exquisite interviews with the people who produce it. I’ve heard interviews with writers in a variety of formats, live or recorded or on television, and sometimes they’re too short to allow for more than sound bites or perhaps the interviewer hasn’t read the book, not thoroughly at least, or is talking too much, or you wish you could jump in and ask your question because the interviewer isn’t getting around to it! Wachtel’s interviews, however, are an hour long, and the conversation has room and it’s rich, it gets where I also wanted to go without my knowing in advance where that was. Continue reading